ABBA — Show Express 1982 — The Day Before You Came, Cassandra, Under Attack
Опубликовано: 22 апр. 2017 г.ABBA appeared on the German TV Show «Show Express» on 11 November 1982 performing the following songs:
— The Day Before You Came
— Cassandra
— Under Attack
Also during the end credits James Last conducts his band in a performance of Thank You For The Music
Дата премьеры: 4 июн. 2020 г.This video presents the Top 20 Worldwide Hits from the 1980s, according to Mediatraffic.
This channel does not own the songs and the video has been created for information/entertaining/promotion purposes. If you like a song, please visit the official artist channel or purchase/stream the song on your favorite platform.
For those of you who are blocked from viewing this or the old one, here is just an image of the quality comparison. Left is this video, right is the old one.
As said in my other video, here is the HD (720p) version of Smooth Criminal. No resizing/cropping SD to HD. Just 720p of crystal clear video (the best damn music video there is IMO).
This version is the short music video of Michael Jackson's Smooth Criminal that was played on TV during the good old days.
Опубликовано: 27 апр. 2015 г.twenty one pilots' music video for 'Stressed Out' from the album, Blurryface — available now on Fueled By Ramen. Get it on…
I wish I found some better sounds no one’s ever heard,
I wish I had a better voice that sang some better words,
I wish I found some chords in an order that is new,
I wish I didn't have to rhyme every time I sang,
I was told when I get older all my fears would shrink,
But now I’m insecure and I care what people think.
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
Sometimes a certain smell will take me back to when I was young,
How come I’m never able to identify where it’s coming from,
I’d make a candle out of it if I ever found it,
Try to sell it, never sell out of it, I’d probably only sell one,
It’d be to my brother, ‘cause we have the same nose,
Same clothes homegrown a stone’s throw from a creek we used to roam,
But it would remind us of when nothing really mattered,
Out of student loans and treehouse homes we all would take the latter.
My name’s ‘Blurryface’ and I care what you think
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
We used to play pretend, give each other different names,
We would build a rocket ship and then we’d fly it far away,
Used to dream of outer space but now they’re laughing at our face,
Saying, “wake up, you need to make money."
Wish we could turn back time, to the good ol’ days,
When our momma sang us to sleep but now we’re stressed out.
* * *
MMDANCE — Прикольная (Music Video)
Текст песни
Куплет:
У меня еще со школы: Постоянно «на приколе».
Я прикольно одевался и прикольно зажигал.
На приколе я учился, на приколе я влюбился.
На приколе я работал, на приколе отдыхал.
На футболе на приколе, на танцполе на приколе.
На Подоле на приколе часто я любил гулять.
Все в округе усмехались, зная, что я улыбаюсь
Постоянно потому, что на приколе я живу!
Припев:
Потому, что я — Бэтмен! Оуо!
Потому, что я — Бэтмен! Еие!
Потому, что я — Бэтмен! Оооу!
Человек — летучая мышь.
Потому, что я — Бэтмен! Оуо!
Потому, что я — Бэтмен! Еие!
Потому, что я — Бэтмен! Оооу!
Человек — летучая мышь.
Куплет:
Потому, что по-приколу быть по-жизни на приколе.
Мне прикольно быть прикольным и приколы выдавать.
На приколе я гуляю, на приколе отдыхаю.
На приколе я мечтаю, на приколе я пою!
Даже песню на приколе написал для вас сегодня,
Чтобы прикололись вы, и смеялись от души.
А сейчас, я на приколе все с начала на повторе
Повторю я для того, чтобы вас снова приколоть!
Припев:
Потому, что я — Бэтмен! Оуо!
Потому, что я — Бэтмен! Еие!
Потому, что я — Бэтмен! Оооу!
Человек — летучая мышь.
Потому, что я — Бэтмен! Бэтмен! Бэтмен!
Бэтмен! Бэтмен! Бэтмен! Бэтмен у руля!
Бэтмен! Бэтмен! Бэтмен!
Бэтмен! Бэтмен! Бэтмен, я люблю тебя!
Bee Gees ~ Night Fever 1977 Disco Purrfection Version
Опубликовано: 13 нояб. 2015 г.The Bee Gees became quite adept at mastering pop music with sweet ballads in the 60's and ended up claiming the pop charts for themselves with a white hot streak of disco/dance oriented songs that began with 1975's #1 hit «Jive Talkin'». This new funkier Arif Mardin produced incarnation set the trend in quality of production and arrangement of music and vocals. «Jive Talkin'» was a hit at the time «Jaws» was rolling over the competition at the movies that summer. A second from the same album was also a #1 hit, «You Should Be Dancing». Mardin was the producer who got them in touch with what was happening in pop radio at the time, had them listen and then directed their sound towards R&B. In the meantime, Robert Stigwood had signed a new distribution deal with Polydor instead of re-signing with Atlantic. When the time came to record the follow up to «Main Course», they found out that Arif was no longer available to them due to his being a house producer under contract to produce only Atlantic artists. Instead of giving up, they took what they learned from Mardin's productions and did them one better...by hiring the studio engineers they had worked with on their biggest hits to date. They did run into a problem when the drummer had a family emergency and had to return home before he was able to complete the rest of the tracks for the «Saturday Night Fever» soundtrack. Experiments with a primitive drum machine to replace him failed but gave birth to a novel idea. One of the engineers remembered that they already had a drum track in the can and floated the idea of making a drum loop from it and using it for other songs. Barry picked the bar and the two engineers labouriously came up with the loop «which sounded insistent without sounding machine-like» and used it on «Night Fever», «Stayin' Alive» and their version of «More Than A Woman». Pretty cool, eh? Apparently, they also used it on Barbra Streisand's «Woman In Love» single. «Night Fever» was the biggest hit they had from that album, spending eight weeks at the top of the pop charts in early 1978. Even after their #1 pop successes up to «Stayin' Alive», «Night Fever» was not the highest new entry that week hopping in at #76, while Barry Manilow took the honor with «I Can't Smile Without You» which entered at #63, 13 slots higher....This song will always represent the absolute peak of disco to me, it is sweetly intoxicating with a magical backbeat and spent eight weeks at #1.
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