AC/DC — Thunderstruck (Official Video)

Опубликовано: 7 нояб. 2012 г.Official music video for “Thunderstruck” by AC/DC
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About the The Razor's Edge:
AC/DC cracked the seal on the '90s with one of the best riffs of their career. That would be «Thunderstruck,» the opening track on The Razors Edge. In addition to «Thunderstruck,» the band brought out «Moneytalks,» probably the closest they ever came to writing a pop song. Then there was «Are You Ready» — one of their fiercest calls to action. The gritty edge and booming chants on this album were a welcome reminder for a new generation that pure, unadulterated rock 'n' roll was alive and well.

Lyrics:
I was caught
In the middle of a railroad track (thunder)
I looked round
And I knew there was no turning back (thunder)
My mind raced
And I thought what could I do? (thunder)
And I knew
There was no help, no help from you (thunder)
Sound of the drums
Beating in my heart
The thunder of guns (yeah)
Tore me apart


You've been thunderstruck


#ACDC #Rock #Thunderstruck

Танки Т 64 Т 64А ИТ 1

Опубликовано: 3 дек. 2014 г.

Pitbull — 3 to Tango (Video Oficial)

Опубликовано: 2 авг. 2019 г.Pitbull
3 to Tango (Video Oficial)
#Pitbull #MrWorldWide #3ToTango

Check out «Get Ready» by yours truly and Blake Shelton!
Watch: https://bit.ly/GetReadyYT
Listen: https://orcd.co/pitbullgetready

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Disponible en todas las plataformas: https://orcd.co/tango

Sigue a Pitbull:
Instagram: https://geni.us/Pitbull_Instagram
Facebook: http://bitly.com/Pitbull_Facebook
Twitter: http://bitly.com/Pitbull_Twitter

Letra:
Como
Dámelo
Woooo

Mr. Worldwide checking in
You know, it’s history in the making
Now mathematically this doesn’t make sense
But in this scenario, one plus one equals three
(Eeeyyyyoooooo)

I like her and she likes her, we gon’ have a love fest
One, two, tres, Ménage à trois
Let’s get down to business
Back it up, drop it low
Tap that like a bongo
I like them and they like me
It takes 3 to tango

Ladies and ladies, I am your gentleman
I open up double doors, now go ahead and come in
I got that Voli305 getting live
I’m in the iLov305 getting live

So many options so little time
A little bit of Erika with extra on the side
More and more for me
More and more for them
Switch up again and then switch back again

Two to one ratio
(mmmm c’est c’est c’est c’est la vie)
(ooh la la)
Two to one ratio
Round and round and round and round we go

I like her and she likes her, we gon’ have a love fest
One, two, tres, Ménage à trois
Let’s get down to business
Back it up, drop it low
Tap that like a bongo
I like them and they like me
It takes 3 to tango

Oooooyyeeeeeee
It takes three, it takes 3 to a tango
Oooooyyeeeeeee
It takes three, it takes 3 to a tango
Eeeyyyyoooooo (tango)

My reputation is notorious
It ain’t got to be serious
No time for mysterious
How bout’ we all get delirious

Sí mamita, tú y tu amiguita

Two to one ratio
(mmmm c’est c’est c’est c’est la vie)
(ooh la la)
Two to one ratio
Round and round and round and round we go
Eeeyyyyoooooo

I like her and she likes her, we gon’ have a love fest
One, two, tres, Ménage à trois
Let’s get down to business
Back it up, drop it low
Tap that like a bongo (woooooo)
I like them and they like me
It takes 3 to tango

Oooooyyeeeeeee
It takes three, it takes 3 to a tango
Oooooyyeeeeeee
It takes three, it takes 3 to a tango (tango)

everybody here at the party now

3, 2, tango

Two to one ratio
One plus one equals three
makes sense to me
Two to one ratio
Round and round and round and round we go
Round and round and round and round we go
Eeeyyyyoooooo

I like her and she likes her, we gon’ have a love fest
One, two, tres, Ménage à trois
Let’s get down to business
Back it up, drop it low
Tap that like a bongo
I like them and they like me
It takes 3 to tango
(Bbrrrraaattttt)

Oooooyyeeeeeee
It takes three, it takes 3 to a tango
(we gon’ have a love fest)
Oooooyyeeeeeee
It takes three, it takes 3 to a tango
(Let’s get down to business)
Oooooyyeeeeeee
It takes three, it takes 3 to a tango
(bam bam bam bam)
Oooooyyeeeeeee
It takes three, its takes 3 to a tango

Dale

Enrique Iglesias & Nicole Scherzinger — HEARTBEAT

Опубликовано: 18 сент. 2010 г.lyrics:
I saw you talking on the phone
I know that you are not alone
But you steal my heart away
Yeah, you steal my heart away.

You're acting like you're on your own
But I saw you standing with a girl
Stop tryn' to steal my heart away,
Stop tryn' to steal my heart away.

I don't know where we going
I don't know who we are

I can feel your heartbeat..2x
He said to me
I can feel your heartbeat
Running through me
Feel your heartbeat
She said
I can feel your heartbeat
She said to me
I can feel your heartbeat
She said to me
I can feel your heartbeat
She said to me
I can feel your heartbeat
Running through me
Heartbeat
Feel your heartbeat

Maybe it's the way you move
You got me dreaming like a fool
That I can steal your heart away
I can steal your heart away

No matter what it is you think
I'm not the kind of girl you think
And give my heart away
Stop tryin' steal my heart away

I don't know where we going
I don't know who we are

I can feel your heartbeat
He said to me
I can feel your heartbeat
He said to me
I can feel your heartbeat
Running through me
Heartbeat
Feel your heartbeat
She said
I can feel your heartbeat
She said to me
I can feel your heartbeat
She said to me
I can feel your heartbeat
Running through me

Stop stealing my heart away...3x
You're stealing my heart away

I don't know where we going
I don't know who we are
Feels like we are flowing
High above the stars, the stars...

I can feel your heartbeat
He said to me
I can feel your heartbeat
He said to me
I can feel your heartbeat
Running through me
I can feel your heartbeat
She said
I can feel your heartbeat
She said to me
I can feel your heartbeat
She said to me
I can feel your heartbeat
Running through me
Heartbeat
Feel your heartbeat

Stop stealing my heart away
Talk to me girl
Stop stealing my heart away
Give it to me boy
Stop stealing my heart away
Say it to me girl
You're stealing my heart away

Stop stealing my heart away...3x
Your heartbeat…

Enya — Only Time (Remix)

Sia — Breathe Me | Live in Sydney

Опубликовано: 15 мар. 2011 г.For exclusive Moshcam content, click here to SUBSCRIBE: http://moshc.am/MoshcamSubscribe
To watch the full Sia concert playlist, click here: http://moshc.am/SiaFullConcert

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Sia performing live at Metro Theatre in Sydney on 25 March 2009

Sia (full name Sia Furler) hails from the famously laid-back Australian city of Adelaide. Boasting a powerful, soulful voice, she worked the Adelaide jazz circuit during the '90s as a vocalist for the band Crisp. However, the blonde, blue-eyed antipodean's big break came only after she followed in the footsteps of many other Aussie artists and hopped on a plane to the U.K. While in London, Sia landed a gig as a backup singer for the very popular and extremely hip English outfit Jamiroquai.

In early 2000, she released her first solo single, the alternative pop tune «Taken for Granted,» which debuted at number ten on the busy U.K. singles chart. Soon after, a string of big names in the British music scene asked for Sia's services; projects with Massive Attack, Zero 7, and William Orbit ensued. In mid-2001, Sia once again made a splash on the U.K. singles chart with the moody offering «Drink to Get Drunk,» a track that would appear on her 2002 full-length debut, Healing Is Difficult. Ironically, it was only after her considerable success abroad that she began to make a real impact down under. Colour the Small One appeared a year later. The track «Breathe Me» from the album gained attention when it was used in the elaborate final scene of the Six Feet Under series that aired in 2005. After a successful 2006 tour, as well as more appearances on Zero 7's album Garden, Sia issued the live album Lady Croissant, which also included the new studio song «Pictures.» In 2008 she released Some People Have Real Problems, her fourth studio album. [David Peter Wesolowski, All Music Guide]

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New Korean Mix Hindi Punjabi Songs 2020

TONES AND I — DANCE MONKEY — EASY Piano Tutorial by PlutaX

Опубликовано: 4 окт. 2019 г.Sheet Music: https://www.musicnotes.com/l/2lgWw
Learn piano songs like this with flowkey: http://tinyurl.com/peter-flowkey
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Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar

Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.

The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).

The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.

The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.

Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada

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Tariq Harb teaches at Concordia University in Montreal, Canada: https://www.concordia.ca/faculty/tari...

Sous le ciel de Paris — French cafe music for accordion

Опубликовано: 14 янв. 2011 г.French musette waltz tune based on the song recorded by edith piaf and others, (including piaffinitee) sous le ciel de paris: under the skies of Paris. Played here on a restored and retuned Borsini accordion