Stromae live dans le métro de Montréal — Formidable
Опубликовано: 30 окт. 2013 г.Stromae interprète Formidable (extrait de son deuxième album Racine Carrée) dans le métro de Montréal, jouant l'homme ivre. Il est accompagné d'Eric Salvail. Vidéo réalisée par Louis Delisle Delvision Productions inc. Suivez-le sur #stromaemtl.
On écrit sur les murs le nom de ceux qu'on aime
Des messages pour les jours à venir
On écrit sur les murs à l 'encre de nos veines
On dessine tout ce que l'on voudrait dire
Partout autour de nous,
Y'a des signes d'espoir dans les regards
Donnons leurs écrits car dans la nuit
Tout s'efface même leur trace
On écrit sur les murs le nom de ceux qu'on aime
Des messages pour les jours à venir
On écrit sur les murs à l 'encre de nos veines
On dessine tout ce que l'on voudrait dire
On écrit sur les murs la force de nos rêves
Nos espoirs en forme de graffiti
On écrit sur les murs pour que l'amour se lève
Un beau jour sur le monde endormi
Des mots seulement gravés pour ne pas oublier pour tout changer
Mélangeons demain dans un refrain nos visages, métissages
On écrit sur les murs le nom de ceux qu'on aime
Des messages pour les jours à venir
On écrit sur les murs à l 'encre de nos veines
On dessine tout ce que l'on voudrait dire
On écrit sur les murs la force de nos rêves
Nos espoirs en forme de graffiti
On écrit sur les murs pour que l'amour se lève
Un beau jour sur le monde endormi
On écrit sur les murs le nom de ceux qu'on aime
Des messages pour les jours à venir
On écrit sur les murs à l 'encre de nos veines
On dessine tout ce que l'on voudrait dire
On écrit sur les murs la force de nos rêves
Nos espoirs en forme de graffiti
On écrit sur les murs pour que l'amour se lève
Un beau jour sur le monde endormi (x2)
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Nos talentueux enfants, déjà remarqués par le grand public pour certains ont uni leurs voix sous l’égide de l’UNICEF, pour la sortie de l’album « Un monde meilleur » qui sortira le 20 novembre prochain, à l’occasion de la journée internationale des droits de l’enfant (convention signée en 1989).
L’UNICEF fournit aux réfugiés et aux personnes déplacées en centre d’accueil des kits de premier secours, des kits d’hygiène et des couvertures de survie. Leur objectif est aussi de « remettre les enfants à l’école » en donnant le matériel scolaire nécessaire. Plus d'infos: http://www.unicef.fr/
Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar
Опубликовано: 28 мая 2015 г.Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar
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*Contact us: info@siccasguitars.com
►Guitar: https://www.siccasguitars.com/shop/gu...
Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers.
We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already
You can find our show room in 76137 Karlsruhe, Roonstr. 31, Germany
Jim Redgate is a highly sought-after Australian luthier, known for his guitars built for artists such as Ana Vidovic, Pepe Roméro and Odair Assad. This lattice-braced model is an exact copy of the guitar that Ana Vidovic plays. Jim Redgate’s instruments have their own sound and touch. The breath-taking volume combined with rich harmonics and impressive clarity of sound are quite unique. The playability is fantastic, and the guitars are relatively light in weight compared to the Australian standard.
We’ve of course heard Ana Vidovic in concert many times playing on a Redgate guitar, but this guitar convinced us even more of the quality of Jim’s work. The honesty and spontaneity of each note, the magnificent volume, the ease of playing, and the unique sound character of this guitar make it an instrument not only rare in Europe, but above all extremely enchanting.
Luthier: Jim Redgate
Construction year: 2019
Top: Cedar/Lattice
Back and sides: Bolivian rosewood
Scale: 650 mm
Nut: 52 mm
Weight: 1633 grams
Air resonance frequency: G
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Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar
Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.
The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).
The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.
The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.
Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada
Francisco Tárrega — Variaciones sobre «El Carnaval de Venecia» de Paganini
Опубликовано: 17 сент. 2011 г.Francisco de Asís Tárrega y Eixea (21 November 1852 — 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period.
