MattyBRaps — Story of Our Lives (Music Video)

Опубликовано: 18 июл. 2019 г.«Story of Our Lives» Available Everywhere!
Apple Music: https://music.apple.com/us/album/stor...
Spotify: https://open.spotify.com/track/4lxoWf...
Google Play: https://play.google.com/store/music/a...

Hi BFamily, hope you enjoy my new music video #StoryofOurLives!
This project is special to me because of it's message that beauty comes from within and your value is not based on surface or material things. It was also a lot of fun working with my little sister, Sarah Grace who enjoys acting and creating videos. #StoryofOurLives #MattyBRaps

Hope you dig the new single and it means something to you.

Music video coming soon!

Official MattyB Gear:
http://mattyb.spreadshirt.com

Follow MattyB:
http://www.MattyBRaps.com
http://www.YouTube.com/MattyBVlogs
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Snapchat: realmattybraps

LYRICS

Yeah, yeah, yeah, yeah, yeah
x3

We’ve all been down before and need some picking up
Turn a frown upside down, never touch it up
You can be yourself and be real, don’t gotta cover-up
Every imperfection and flaw, tryin to measure up

‘Cause you’re so perfect, worth it
Beauty has no limit // it’s what’s inside
Believe that you can see it, dream it, be it
I really want you to know
I want you to know

Don’t stop
Start to finish, be authentic, baby don’t stop
Beauty isn’t on the surface, baby don’t stop
Life is more than being perfect
Baby don’t stop
Let’s just enjoy the ride, and don’t stop

Keep it going, keep it going, keep it, don’t stop
Keep it going, keep it going, keep it, don’t stop
You’re more than a moment in time
Picture perfect’s not what truly defines
The story of our lives

Memories fade on a timeline
No one‘s really perfect but we all try
Spending time looking at our reflections
Never showing a single real imperfection
Checking every number and like
Every post, every pic, every follow every swipe
It’s like — ain’t nothing wrong with being your best
But your worth is so much more than all of this

‘Cause you’re so perfect, worth it
Beauty has no limit // it’s what’s inside
Believe that you can see it, dream it, be it
I really want you to know
I want you to know

Don’t stop
Start to finish, be authentic, baby don’t stop
Beauty isn’t on the surface, baby don’t stop
Life is more than being perfect
Baby don’t stop
Let’s just enjoy the ride, and don’t stop

Keep it going, keep it going, keep it, don’t stop
Keep it going, keep it going, keep it, don’t stop
You’re more than a moment in time
Picture perfect’s not what truly defines
The story of our lives

The story of our lives
The story of our lives

Елизавета, Александра, Нино – «Имя 505» – бои – Голос. Дети 4 сезон

Опубликовано: 3 дек. 2017 г.Елизавета, Александра, Нино из команды Монатика исполнили песню «Имя 505» группы «Время и Стекло» в 5 эфире 4 сезона Голос. Дети. Смотреть онлайн Голос. Дети 4 сезон 5 выпуск от 3.12.2017 — бои. Полные версии выступлений смотрите на сайте Телеканала 1+1 по ссылке: https://1plus1.ua/golosdity/video

Новый 5 сезон Голос.Дети: https://bit.ly/2X6Kwg9

Смотрите выступление Валерия Ткачук – «Имя 505» – выбор вслепую – Голос. Дети 5 сезон: https://youtu.be/oS0T_BXj9XU

#голоскраїни #голосдети

STROMAE au Dancemob de Bruxelles 06 10 2010

Опубликовано: 6 окт. 2010 г.Ce mercredi, STROMAE vous a rassemblé en masse pour le dancemob de la place Flagey! Merci à tous pour le soutien!
Cheese, c'est l'album de STROMAE… www.stromae.org
Julie NRJ

Stromae — Papaoutai (Official Video HD)

Опубликовано: 6 авг. 2013 г.#Stromae
#Papaoutai

https://twitter.com/Stromae
https://www.facebook.com/stromae

Mit seinem Überhit ‚Alors on danse' schaffte Stromae seinen Durchbruch in Deutschland und weltweit. Der umtriebige Belgier, der ursprünglich aus dem HipHop-Bereich kommt, entwickelte sich seit seinem weltweiten Nr. 1 Hit weiter und wird in Frankreich heute als der neue Jacques Brel und Erneuerer des französischen Chansons gehandelt.
Ob am Strand oder auf der Tanzfläche, „Papaoutai" steckt voller Energie und sorgt mit seinen karibischen anmutenden Klängen und markanten Synthie-Beats für den perfekten Club-Sound.
Neben der Leichtigkeit, die jedermann zum Tanzen auffordert, verbirgt sich hinter „Papaoutai" eine durchaus ernste Message. „Papaoutai" ist dem französisch-afrikanischen Dialekt entnommen und bedeutet wortwörtlich „Papa, où t'es", zu Deutsch „Papa, wo bist du".

„Papaoutai" feiert in Frankreich (#1), Belgien (#2) und Niederlanden (#3) bereits große Charterfolge.


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Stromae-Papaoutai (slowed)

Опубликовано: 13 янв. 2018 г.Comment which songs you want slowed
#music

Alors on danse (Radio Edit)

ave cesaria

Опубликовано: 23 июл. 2018 г.Provided to YouTube by Universal Music Group

ave cesaria · Stromae

racine carrée

℗ 2013 Mosaert

Released on: 2013-01-01

Associated Performer, Interprète Vocal, Producer: Stromae
Associated Performer, Background Vocalist: Schérazade
Associated Performer, Background Vocalist, Guitar: Mauricio Delgados
Associated Performer, Background Vocalist, Piano: Antonio Santos
Associated Performer, Accordion: Vincent Peirani
Studio Personnel, Mixer: Lionel Capouillez
Author: Orelsan
Composer Lyricist, Arranger, Work Arranger: Stromae
Arranger, Work Arranger: Antonio Santos
Arranger, Work Arranger: Schérazade

Auto-generated by YouTube.

Formidable

Опубликовано: 23 июл. 2018 г.Provided to YouTube by Universal Music Group

Formidable · Stromae

racine carrée

℗ 2013 Mosaert

Released on: 2013-01-01

Associated Performer, Interprète Vocal, Producer: Stromae
Studio Personnel, Mixer: Lionel Capouillez
Composer Lyricist, Arranger, Work Arranger: Stromae
Arranger, Work Arranger: Lionel Capouillez

Auto-generated by YouTube.

Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar

Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.

The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).

The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.

The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.

Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada

http://www.tariqharb.com
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http://www.instagram.com/tariqharbmusic
Tariq Harb teaches at Concordia University in Montreal, Canada: https://www.concordia.ca/faculty/tari...

Autumn Leaves — Yenne Lee plays 2004 Pepe Romero Jr.

Опубликовано: 12 июл. 2017 г.Download a FREE pdf of Capricho Árabe arranged by Agustín Barrios here! https://tinyurl.com/y5cm7byv

Guitar: 2004 Pepe Romero Jr. (http://tinyurl.com/yakh7kab)

Here's Yenne Lee with her arrangement of the Joseph Kosma standard Autumn Leaves. She's playing a great 2004 Pepe Romero Jr. classical guitar in cedar and maple. Recorded at the Guitar Salon International showroom in Santa Monica, CA.

Huge thanks to the folks at Apogee Electronics (ApogeeDigital.com) for the use of their Ensemble interface in these recordings.

http://www.guitarsalon.com/

All proceeds from monetization of this video goes to the GSI Foundation, a non-profit organization that raises money to support music education in public schools. Visit our site for more information: https://gsifoundation.org

#gsi #friendsofgsi #classicalguitar