Опубликовано: 5 сент. 2018 г.This video is a reminder to always remember and appreciate the people and experiences that shape who you are ❤️
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Alex Gaudino began his adventure in the music business in Italy in 1993 at the famous Flying Records and UMM. In 1998 with the support of Giacomo Maiolini, owner of the legendary TIME Records, Alex became a&r of Rise Records, which soon became one of the most respected European labels, signing hit records like The Tamperer and Black Legend. «Destination Calabria» is the single that elevated Alex to the level of international top djs as Eric Prydz and Fedde le Grand — it reached Number 1 in the European Dance charts in May 2007 and has already achieved the following national chart positions — No.1 in Belgium, No.4 in UK, No.6 in France, No. 10 in Holland
Alex Gaudino inizia la sua avventura nel music business in Italia nel 1993 nella famosa Flying Records & UMM. Nel 1998 grazie al supporto di Giacomo Maiolini, proprietario della leggendaria TIME Records, Alex fonda la RISE Records, che presto diventa una delle label più rispettate in Europa, grazie alle hits come The Tamperer e Black Legend. «Destination Calabria» è stata tra l'altro una vera hit internazionale, come la sua recente «I'm In Love».
Londonbeat — I've Been Thinking About You (ZDF-Fernsehgarten — june 05, 2016)
Опубликовано: 5 июн. 2016 г.British-American dance band Londonbeat performed ''I've Been Thinking About You'' from the 1990 years album ''In The Blood'' in German entertainment show ''ZDF-Fernsehgarten'' on ZDF 05th june 2016
Bee Gees ~ Night Fever 1977 Disco Purrfection Version
Опубликовано: 13 нояб. 2015 г.The Bee Gees became quite adept at mastering pop music with sweet ballads in the 60's and ended up claiming the pop charts for themselves with a white hot streak of disco/dance oriented songs that began with 1975's #1 hit «Jive Talkin'». This new funkier Arif Mardin produced incarnation set the trend in quality of production and arrangement of music and vocals. «Jive Talkin'» was a hit at the time «Jaws» was rolling over the competition at the movies that summer. A second from the same album was also a #1 hit, «You Should Be Dancing». Mardin was the producer who got them in touch with what was happening in pop radio at the time, had them listen and then directed their sound towards R&B. In the meantime, Robert Stigwood had signed a new distribution deal with Polydor instead of re-signing with Atlantic. When the time came to record the follow up to «Main Course», they found out that Arif was no longer available to them due to his being a house producer under contract to produce only Atlantic artists. Instead of giving up, they took what they learned from Mardin's productions and did them one better...by hiring the studio engineers they had worked with on their biggest hits to date. They did run into a problem when the drummer had a family emergency and had to return home before he was able to complete the rest of the tracks for the «Saturday Night Fever» soundtrack. Experiments with a primitive drum machine to replace him failed but gave birth to a novel idea. One of the engineers remembered that they already had a drum track in the can and floated the idea of making a drum loop from it and using it for other songs. Barry picked the bar and the two engineers labouriously came up with the loop «which sounded insistent without sounding machine-like» and used it on «Night Fever», «Stayin' Alive» and their version of «More Than A Woman». Pretty cool, eh? Apparently, they also used it on Barbra Streisand's «Woman In Love» single. «Night Fever» was the biggest hit they had from that album, spending eight weeks at the top of the pop charts in early 1978. Even after their #1 pop successes up to «Stayin' Alive», «Night Fever» was not the highest new entry that week hopping in at #76, while Barry Manilow took the honor with «I Can't Smile Without You» which entered at #63, 13 slots higher....This song will always represent the absolute peak of disco to me, it is sweetly intoxicating with a magical backbeat and spent eight weeks at #1.
Michael Jackson — Smooth Criminal (Official Video)
Опубликовано: 19 нояб. 2010 г.The short film for Michael Jackson's "«Smooth Criminal»" was the centerpiece of the feature film Moonwalker, and featured the debut of Michael's iconic "«anti-gravity lean.»" Inspired in part by Fred Astaire's "«Girl Hunt Ballet»" dance number in the film The Band Wagon, "«Smooth Criminal»" was named Best Video at the BRIT Awards, Broadcast Film Critics Association and the People's Choice Awards.
Written and Composed by Michael Jackson
Produced by Quincy Jones for Quincy Jones Productions
Co-Produced by Michael Jackson for MJJ Productions, Inc.
From the album Bad, released August 31, 1987
Released as a single October 21, 1988
THE SHORT FILM
Director: Colin Chilvers
Primary Production Location: Los Angeles, California
Michael Jackson's short film for "«Smooth Criminal»" was the sixth of nine short films produced for recordings from Bad, one of the best selling albums of all time. The "«Smooth Criminal»" single hit No. 1 in Spain and The Netherlands and reached the Top 10 in the UnitedStates, the United Kingdom, France, Germany, Ireland and Switzerland. In the United States, "«Smooth Criminal»" reached the Top 10 of the Billboard Hot 100-the sixth single from Bad to do so-as well as Billboard's Hot Dance Club Play and Hot R&B/Hip-Hop Singles charts.
In addition to being a standalone short film, "«Smooth Criminal»" became the centerpiece of Michael's most ambitious film project at the time, Moonwalker, a feature-length film that was released theatrically in various countries outside of the United States. In the "«Smooth Criminal»" portion of the film, Michael and his friends face off against the notorious drug lord Mr. Big (Joe Pesci) and attempt to foil his plot to get the children of the world hooked on drugs-but of course, in the end, Michael defeats the villain.
The musical portion of "«Smooth Criminal»" takes place in the magical "«Club '30s,»" where Michael instructed his friends to meet him. While Katie (Kellie Parker), Zeke (Brandon Adams) and Sean (Sean Lennon) find the club to belong abandoned, Club '30s springs to life when Michael shows up, wearing a blue and white pinstripe suit and fedora.
As the kids watch through the window, Michael flips a coin into the jukebox and leads the club patrons through a dazzling performance to "«Smooth Criminal.»" Here, Michael shows off updated versions of his signature dance moves. He also debuts one of his most iconic dance moves: the "«anti-gravity lean,»" a seemingly impossible move.
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