Jennifer Beals
Irene Cara is best known as a singer of movie themes, though she worked as an actress since childhood. Raised in New York City, she appeared on Broadway in 1967 in the musical Maggie Flynn at age eight and can be heard on the cast album for the show The Me Nobody Knows. From the age of 16, she was turning up on television and in films, including a part in the TV mini-series Roots 2 in 1979. In 1980, she was catapulted into stardom and a singing career by her appearance in the film Fame, for which she sang the title song, an Oscar-winning Top Ten hit. Also from the film was her Top 40 hit «Out Here on My Own.» In 1983, she topped the charts with «Flashdance...What a Feelin'» from the movie Flashdance, a song she co-wrote that won another Oscar, and Cara won a couple of Grammys for her contributions to the soundtrack. Her What a Feelin' album included the hits «Why Me?» and «Breakdance,» and she also made the Top 40 with a third movie theme, «The Dream (Hold on to Your Dream),» from DC Cab. ~ William Ruhlmann, All Music Guide
Jennifer Beals stars as Alex Owens, a Pittsburgh steel-mill welder by day, and bar dancer by night. Harboring dreams of a career in ballet, she is given financial support in this endeavor by her boss Nick Hurley (Michael Nouri) and moral support by demanding but big-hearted instructor Hanna Long (Lilia Skala). The film's signature scene is, of course, Alex's water-drenched dance audition, largely performed in long shot by her dance double Marine Jahan. Essentially an old-fashioned backstage yarn, Flashdance was given a contemporary spin by its pulsating, musical score featuring the Oscar-winning Best Song, Flashdance...What a Feeling, (music by Giorgio Moroder, lyrics by Keith Forsey and Irene Cara).
Similar Works
Fame (1980, Alan Parker)
Saturday Night Fever (1977, John Badham)
Footloose (1984, Herbert Ross)
Center Stage (2000, Nicholas Hytner)
Save the Last Dance (2001, Thomas Carter)
Dirty Dancing (1987, Emile Ardolino)
Over the Top (1986, Menahem Golan)
8 Mile (2002, Curtis Hanson)
Honey (2003, Bille Woodruff)
Brave New Girl (2004, Bobby Roth)
Other Related Works
Is featured in: The Full Monty (1997, Peter Cattaneo)
Is related to: Dance with Me (1998, Randa Haines)
Influenced: Sunset Strip (1991, Paul G. Volk)
Make It Happen (2008, Darren Grant)
Kim sevdi seni benim kadar
Kırıldı kalbim kanıyor yar
Senden Sonrası olmadı
Yerini kimseler almadı
Direnci yoktu kalbimin bu canımı yakma
Dünümde var olan sendin hiç eksik olma sol yanımda
Basit değil bu ayrılık hazin gelir
Ben anladım bi kalp bir kez sevilmez canımı yaktın her dakika
Ben senden sonra bi can sevemedim hiç sevgine muhtaçtım heran
Seni kazanmak adına savaştım mutluydum yarınlara seninle doğmak
Kaç kere yalvardım sana bilemem seni kalbimden yok silemem
Denemem ben sen değilim başka bi kalbi yok yere sen gibi sevemem
Özlem oldun her dakika
odama kapanıp ağladım, ağladım, ağladım
Ve sonrasında hazin gelen bu ayrılık
bi damla gözyaşımla aksınki seninde canın yansın
Kim sevdi seni benim kadar
Kırıldı kalbim kanıyor yar
Senden Sonrası olmadı
Yerini kimseler almadı
Ben yazarken kağıt kaleme sen bu kalbe sığmayınca
Anlatırdım derdimi sen yanımda olmasanda
Bakınca gözlerinde kalbi önüne koymasanda
Anladım bu kalbim senin bu ritmi duymasanda
Bak kaçıncı yaş bu söyle gözlerimde
Ben severdim harbiden çekipte gitme özlerim be
Kaçıncı şarkı bu inan ki anlatır seni
Ben hayattayken gördüm yaşadım seninle cenneti
Bak kızım bu kalbin en derin yerinde sade sen
O Minik kalbinin içinde çarpan anca sade ben
Söyle şimdi sen mi ben mi bu aşkı terkeden
Ben anladım bu aşkı harbiden gidendi kaybeden
Ben gülüşlerinde bulmuşum inan bu hayatı
Sen olmayınca çare kalmamış bu kalbi kanattı
Bi çare göster ALLAH'ım bu gözler ağladı
Yazarken ellerimde kalbimin mecali kalmadı.
Kim sevdi seni benim kadar
Kırıldı kalbim kanıyor yar
Senden Sonrası olmadı
Yerini kimseler almadı
Kim sevdi seni benim kadar
Kırıldı kalbim kanıyor yar
Senden Sonrası olmadı
Yerini kimseler almadı..
Son StyLa
Mc Ertan
Arabesk Rap
Arabesk Rap 2020
Damar Rap 2020
Punjabi Song
Punjabi Song 2020
Latest Song
Latest Song 2020
Sad Song
Sad Love Song
Kanika Maan
aakanksha sareen
parmish verma new song
parmish verma
New Punjabi Sons
New Latest Song
New Sad Song
Zonbi Kız
Zombi Kız
My Zombie Crush
Zombi Kıza Aşık Oldu
Zombi Kız Filmi
Zombi Kız Tiktok
Zombie girl
Cutest Zombie
Vampire Love Story
New Korean Mix Hindi Songs 2020
Vietnam Klip
Çin Klip
Kore Klip
Marry a Zombie Girl
My Zombie Crush 3
My Zombie Crush 2
Benim Zombi Aşkım
Heeriye Korean Mix
Korean Mix
School Love Triangle
New Korean Mix Hindi Punjabi Songs
New Korean Mix Hindi Sad Songs
New Korean Mix Hindi Sad Songs 2020
New Korean Mix Hindi Punjabi Songs 2020
Whirlwind Girl
Maine Tujhko Dekha
Gerçek Aşk
Aşk Bu Olsa
Gerçek Aşk Klip
Muhteşem Aşk Klip
Kore Aşk Klibi
Çin Aşk Klibi
İzlerken Ağlayacaksınız
İzlerken Ağlatan Klip
İhanet Klip
Duygusal Klip
Aldatan Kız
Sevdiği Kızı Denedi
Kızı Sonunda Tavladı
Vampir Erkeğe Aşık Oldu
Rapmisyon
Assiyah
Love Song
Love Story Song
Romantic Love Story
Funny Love Story
Gangster Girlfriend Love Story
High School Cute funny Love triangle
Chinese Love Story Song
Deni Kızı
Deniz Kızı Filmi
Deniz Kızı Klip
Mermaid Film
Deniz Kızına Aşık
Deniz Kızı Mermaid
It seems like when a music video comes out, the title that receives all of the credit and travels with a film is that of the director. It's as though the director is the «artist» or «creator» of the music video, when in reality a music video is first a written treatment, produced (putting together ingredients like actors and locations), shot and directed, cut on the editing board and finally color graded. The music might be fine tuned and scored specifically for that film. There are so many variables that are completely equal if not sometimes more complicated than directing, it's a shame that so much credit comes down to whoever fulfills that position. A director wouldn't have shit to direct without a producer. A producer would have nothing to produce without a writer, and so forth.
For our team, I think it's even more complicated because roles tend to cross over. We simply don't work within the conventional hierarchy of the film industry (director, producer, etc.) Sure, people have concrete pre-defined roles based on their expertise, but our team has the remarkable ability to wear multiple hats. Can't Hold Us was a video that showcased this well.
After three months of shooting, finally getting to those last few frames where you reveal the credits, it's a tense moment. There isn't exactly a sensible way to do it, if we're trying to fit people into classic film roles. It leads me to the point that although we do our best to give people titles, this was a video fully created by seven individuals at the forefront. Take any of those people out of the equation, you'd be watching a very different video. I write this in hopes that you don't fall under the illusion that one person creates a music video, particularly at the Macklemore camp. We are constantly challenging and enhancing each others ideas and I take pride in believing that's the reason we make great videos. — Ryan Lewis
Music Video:
Written By
Ben Haggerty
Ryan Lewis
Tricia Davis
Directed By
Ryan Lewis
Jason Koenig
Jon Jon Augustavo
Produced By
Tricia Davis
Honna Kimmerer
Jenny Koenig
Starring
Ben Haggerty
Ryan Lewis
Ray Dalton
Owuor Arunga
Da Kadu Brown
Director of Photography
Jason Koenig
Ryan Lewis
Mego Lin
Stedicam Operators
Chris Duerkopp
Rhys Duncan
Ant Ireland
Alex Kornreich
Production Assistants
Linda SImonsen
Jackie Ganger
Edward Tran
Adam Leeman
Nic Adenau
Johnny Valencia
Ben Campofreda
Seth McDonald
Mitchell Overton
Lei Tao
Editing & Color Grading
Ryan Lewis
Jason Koenig
Post Production Supervisor
Erik Hustad
Special Thanks
RED
Panavision
Victory Studios
Koerner Camera
Space Needle
Ryan Sanson
Lady Washington
Logan Neitzel
Sierra Blu Kennels
USC FIJI House
Niche Camera
Karen Stimwell & Co.
Hollywood Props, Auckland
Helicopters Northwest
Niche Camera
Oppenheimer
Absolute Technologies
Court in the Square
First Scene Costume, Auckland
Painted Camels Unlimited
Graeme Menzies
Colin McKay
Daniel Cooper
Mercury Bay Aero Club
Whitianga Charters
Dylan Henderson
Jason Bosch
Kyle Bosch
Hollywood Animals
Michael Barrett/United Reprographics
Peter Pathe
Music:
Can't Hold Us feat. Ray Dalton
(B. Haggerty, R. Lewis, R. Dalton)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore
Additional Vocals by Ray Dalton, Camila Recchi, Victoria Fuangaromya, Tyler Andrews
Trumpet by Owuor Arunga
Trombone by Greg Kramer
Violin, Bells, and String Arrangement by Andrew Joslyn
Violin by Caroline Faflak
Violin by Jared MacFarlane
Viola by Elisa Clegg
Cello by Danah Olivetree
Cello by Natalie Mai Hall
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WA
Mastered by «Big Bass» Brian Gardner, Hollywood, CA
Can we go back, this is the moment
Tonight is the night, we'll fight till it's over
So we put our hands up like the ceiling can't hold us
Like the ceiling can't hold us
Опубликовано: 8 нояб. 2014 г.Provided to YouTube by Warner Records/Maverick
Hollywood · Madonna
American Life
℗ 2003 Warner Records Inc.
Assistant Engineer: David Treahearn
Assistant Engineer: Gabe Sganga
Assistant Engineer: Jeff Kanan
Performed by: Madonna
Producer: Madonna
Mixer: Mark 'Spike' Stent
Guitar, Producer, Programmer: Mirwais Ahmadzai
Assistant Engineer: Rob Haggett
Assistant Engineer: Simon Changer
Assistant Engineer: Tim Lambert
Masterer: Tim Young
Assistant Engineer: Tom Hannen
Writer: Madonna
Writer: Mirwais Ahmadzaï