Balti — Ya Lili feat. Hamouda KARAOKE & Piyano (Herkesin Dilindeki o Arapça Şarkı)
Опубликовано: 22 апр. 2018 г.Balti — Ya Lili feat. Hamouda karaoke ve piyano notaları… Herkesin Dilindeki o Arapça Şarkı.
Yeni çıkan Arapça müzik piyano dersleri Arapça hareketli şarkılar listesi Ya Lili ile başlıyor.
İsteklerinizi yorum kısmına yazabilirsiniz.
Bu kanalda her gün en sevilen şarkıları piyano ile çalıp hem piyano cover'larını seven dinleyicilere, hem de piyano, klavye, melodika çalan kişilere yönelik videolar hazırlıyoruz. Piyano dersleri ve enstrümantal müzik dinleme keyfinin devam etmesini istiyorsanız lütfen abone olun.
Piyano ile Çalınan Şarkılar:
Hazırladığımız tüm videoların olduğu «Piyano ile Nasıl Çalınır» çalma listesi:
Videomuz hakkındaki düşüncelerinizi ve YENİ ŞARKI İSTEKLERİNİZİ yorum kısmında paylaşın, hemen hazırlayalım!
Sevgiler!
Ya Lili lyrics (sözleri)
ya lily, waya layla
wash bash nushkilik ymma
waqaluli la la
saghir w fi qalbi ghmm
nahib natir wanatir alfawq
yhbbw yaqsuli janahiun
waliadak rani makhnuq
wamink talab samahi
ya lily, waya layla
wash bash nushkilik ymma
waqaluli la la
saghir w fi qalbi ghmm
nahib natir wanatir alfawq
yhbbw yaqsuli janahiun
waliadak rani makhnuq
wamink talab samahi
ryws alrajalat mayila (mayl)
razanat bialtakhammam w bialshaykhat al'amkhakh mubila
walad alhumat aashwatin muqila
alsharu fi aleaynayni, bialkhayr mahish mustafayla
yuhibuu yaswuquna kayf alzaayila
w marbut fi zaribat w khutut alssaqin mukila
yahbuk brry ma eindkshi eayila
neyshw fi sistam hkmwh walad almthylt yah
yhbuk ghayb ean alwujud
sakat ealaa haqak w rady blly yhbwh mawjud ymma
tajri w makish khalit ealaa alqut
ash khlla walad alhumat ڨtte ڨtte min alhudud yah
sayd fi qafsik marbut
w aldabe msyb w zayd klalk eashak ymma
yuhbuk qaeid fi zunqat marfud
w almustaqbal tashuf fih mteddy bihadhak
ya lily, waya layla
wash bash nushkilik ymma
waqaluli la la
saghir w fi qalbi ghmm
nahib natir wanatir alfawq
yhbbw yaqsuli janahiun
waliadak rani makhnuq
wamink talab samahi
ya lily, waya layla
wash bash nushkilik ymma
waqaluli la la
saghir w fi qalbi ghmm
nahib natir wanatir alfawq
yhbbw yaqsuli janahiun
waliadak rani makhnuq
wamink talab samahi
[اللازمة: حمودة]
يا ليلي، ويا ليلة
واش باش نشكيلك يمّا
وقالولي لا لا
صغير و في قلبي غمّة
نحب نطير ونطير الفوق
يحبّو يقصولي جناحي
وليدك راني مخنوق
ومنك طالب سماحي
[المقطع الأول: بلطي]
الحومة كلها موحلة، دوق دوق دوق
كلها تشوف الدنيا كحلة
صحرا قاحلة (صحراء قاحلة)، دوق دوق دوق
باش تشوف الدنيا أحلى
والحومة مفحلة (والحومة مفحلة)، دوق دوق دوق
تستنّى في عسل النحلة
صبورة كحلة (صبورة كحلة)
هزنا الطّيار ورمانا في عقاب الرحلة
ياه ضايع بين لحيوط وما لقيتش بلاصة
حومة بين بلاد الرهوط
يمّا خلّوني بالشيخة مسموط
و حوكمنا سرّاقة والكراسي بالهبوط
ياه نحب نشد الروت ونقلب المناظر
نقلب وجهي من هنا يا مّا
ما نحب نعيش الحياة بالموت
نوفى كيما ولد الجارة بالشيخة تبلى
[اللازمة: حمودة]
يا ليلي، ويا ليلة
واش باش نشكيلك يا يمّا
وقالولي لا لا
صغير و في قلبي غمّة
نحب نطير ونطير الفوق
يحبّو يقصولي جناحي
وليدك راني مخنوق
ومنك طالب سماحي
[المقطع الثاني: بلطي]
ريوس الرجالة مايلة
رزنت بالتخمام وبالشيخة المخاخ مبايلة
ولاد الحومة الشواطن مقايلة
الشر في العينين، بالخير ماهيش مستفايلة
يحبّو يسوقونا كيف الزايلة ومربط في زريبة
وخطوة الساقين مكايلة
يحبّوك برّي ما عندكشي عايلة
نعيشو في سيس
Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar
Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.
The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).
The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.
The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.
Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada
Sous le ciel de Paris — French cafe music for accordion
Опубликовано: 14 янв. 2011 г.French musette waltz tune based on the song recorded by edith piaf and others, (including piaffinitee) sous le ciel de paris: under the skies of Paris. Played here on a restored and retuned Borsini accordion
ذِكرى | Thekra | Violin and Cello Music | كمان و تشيللو
Опубликовано: 15 июн. 2019 г.Piano, Cello and violin music
The main scale used here is an Oriental scale called «Kurd», aka Phrygian mode.
Music by Asem Yousef
Artwork by https://www.artstation.com/aenamiart
I upload a composition every Saturday, Stay tuned!
Hear this composition on SoundCloud: https://soundcloud.com/asem-yousef-17...
I contact all artists and photographers for their permission for the visuals, if there is by chance any mistake please contact me
For Business Enquiries, or the Usage of my Music in anything, Please contact:
asemkalaylah@yahoo.com
Beautiful fantasy music about a magical forest where nymphs dance and frolic beneath the shady trees. This music I composed is called Waltz of the Forest Nymphs. I hope you enjoy it!
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This beautiful picture was done by Emerald_Depths.
Winter waltz music about a snowy woods where magical creatures come to dance. This music that I composed is called Snowbell Woods. I hope you enjoy listening to it!
Опубликовано: 8 мая 2017 г.Aprende a tocar «Ego», de Willy William con la flauta de pico. ¡Y recuerda que puedes bajar la velocidad a 0,5 para practicar des-pa-cito!
