Eye Of The Tiger by Survivor • Real Steel — Atom Edition 2
Опубликовано: 17 окт. 2017 г.These videos are designed specifically for entertainment purposes only.
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Movie: Real Steel
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Music: Survivor — Eye Of The Tiger
Живущая в Лондоне шестнадцатилетняя Гвендолин Шеферд случайно узнает, что обладает уникальным геном путешественника во времени, который унаследовала от прапрабабушки. Теперь девушка может ежедневно переноситься в прошлое, и с каждым днем загадок становится все больше. Что такое «Тайна Двенадцати»? Кто охотится на путешественников во времени в прошлом? И почему все вокруг думают, что она обладает какой-то «магией ворона»?
They say that we reckless
They say we can’t do it our own way
They can’t promise tomorrow
So let’s live for today
They love to have no fun (no fun)
We love to make stops along the way
They can’t promise tomorrow
So let’s live for today
Now if ya with me say OH —
And if ya with me say OH —
So why don’t you do YOU cause I’mma be ME
Lemme prophesy what the future gon be
Making moves like this, while they looking like that
Couple billion in now er’body think they rap
What you talkin’ bout, Matt? (ha!)
Nothin but the end zone
Started up a label now I’m putting all of my friends on
Writing my own theme songs, kid with a dream songs
Yeah right, like I’ve ever been up in the friend zone
Matty be my boyfriend? baby that’s a no ma’am
I’m about to go ham, they say that I glowed up so much compared to my old jams
but this is for my old fans, this is for my true fam, with me through and through man
doing what it do fam, ye ye
everybody signed to majors
I keep building my sky scraper
brick by brick keeping stacking layers
flow like you can taste the flavor
Haters still think they darth vador
so I press they buttons like a little kid on elevators
They say that we reckless
They say we can’t do it our own way
They can’t promise tomorrow
So let’s live for today
They love to have no fun
We love to make stops along the way
They can’t promise tomorrow
So let’s live for today
Now if ya with me say OH —
And if ya with me say OH —
So why don’t we take a trip down memory lane
I was 6 or 7 with some music on my brain
I ain’t know what I was doing so I just bang bang on my books
And I sang every hook, it was strange all the looks
But it didn’t matter to me like whatever I’mma do me
I would listen in amazement, study in the basement
Put that criticism on my back cause I can take
Grinding with my craft, in the lab being patient
Face it, pace it, till I make progression
That ain’t insta fame man, that’s a thousand sessions
Homie i’m in beast mode, raw baby, I’ve been through it all
I ain’t worried bout y’all
Now I see ‘em out there trying so hard not to admit it
But deep inside they feeling what I’m spitting’s
Kinda hard hitting, no wait a minute
What am I saying, who am I kidding
He grew up and got sick wit it
They say that we reckless
They say we can’t do it our own way
They can’t promise tomorrow
So let’s live for today
They love to have no fun (no fun)
We love to make stops along the way
They can’t promise tomorrow
So let’s live for today
Now if ya with me say OH —
And if ya with me say OH —
Cause when they tell us that we gotta move this way, we say no way, no way
And when they tell us that we gotta sound that way, we say no way, no way
And when they tell us who we gotta be, don’t ya know that we say no way, no way
Cause I’mma live my life being who I am so I say no way, no way
They say that we reckless
They say we can’t do it our own way
They can’t promise tomorrow
So let’s live for today
They love to have no fun (no fun)
We love to make stops along the way
They can’t promise tomorrow
So let’s live for today
Now if ya with me say OH —
And if ya with me say OH —
They say that we reckless
They say we can’t do it our own way
They can’t promise tomorrow
So let’s live for today
Опубликовано: 20 июл. 2018 г.Provided to YouTube by Universal Music Group
Take Me To Church · Hozier
Radio Maximum Music
℗ 2014 Rubyworks Limited
Released on: 2015-10-09
Producer, Co- Producer, Associated Performer, Vocals: Hozier
Producer, Co- Producer: Rob Kirwan
Associated Performer, Drums: FIACHRA KINDER
Studio Personnel, Mixer: Andrew Scheps
Studio Personnel, Mastering Engineer: Stephen Marcussen
Composer Lyricist: Andrew Hozier-Byrne
Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar
Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.
The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).
The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.
The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.
Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada
Winter waltz music about a snowy woods where magical creatures come to dance. This music that I composed is called Snowbell Woods. I hope you enjoy listening to it!
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