Опубликовано: 19 янв. 2009 г.Guitarra: Cacho Tirao
Programa de Televisión «La Guitarra y sus Intérpretes» Dir. Cesar Amaro, quien es el dueño de los derechos de este video
Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar
Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.
The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).
The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.
The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.
Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada
Опубликовано: 5 мар. 2015 г.Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was a Spanish composer and classical guitarist of the Romantic period.
Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, the child would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was «Quiquet».
As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to Castellón de la Plana to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind.
Опубликовано: 28 нояб. 2018 г.Medieval waltz music about a royal ball at a beautiful palace. This music is called The Royal Ball. We hope you enjoy listening to it!
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This wonderful picture was done by Shunzi. Check out his Facebook page:
Winter waltz music about a dark wintry kingdom that hosts royal balls, weddings, and other celebrations. This music I composed is called Frostglimmer. I hope you enjoy listening to it!
Опубликовано: 21 февр. 2013 г.ACCORDION OKTOBERFEST OBERKRAINER POLKA MEDLEY
аккордеон
Geupload op 21 februari 2013
Played on accordion by kabouter Huib Holzken on Beltuna piano accordion with Limex MIDI mpr4. Netherlands. Limex Center Wiegers
Februari 21 2013
Huib Hölzken played 3 songs from Slavko Avsenik: ich hör so gern harmonica — trompetenecho — auf der autobahn. Gnome Huib.
Played on accordion by kabouter Huib Holzken on Beltuna piano accordion with Limex MIDI mpr4. Netherlands
Februari 21 2013
Huib Hölzken played 3 songs from Slavko Avsenik: ich hör so gern harmonica — trompetenecho — auf der autobahn.
Bayrische, Egerländer, Tiroler and Bohemian polkas are famous in south Germany, Austria, Poland and Tsjechoslowakia. Also in the USA the polka is popular with composers Frankie Yankovic.
Beltuna Accordion
LIMEX Accordeon Akkordeon Microphone Sound System
Limex Johan Wiegers
POLKA
The polka is a lively Central European dance and also a genre of dance music familiar throughout Europe and the Americas. It originated in the middle of the 19th century in the Czech lands derived from the sounds of traditional farm equipment and is still a common genre in Lithuanian, Czech, Croatian, Slovenian, Polish, German, Hungarian, Austrian, Italian, Ukrainian, Belarusian, Russian, and Slovakian folk music. Versions are also found in the Nordic countries, the British Isles, The United States, and Latin America, especially Mexico.
In light classical music, many polkas were composed by both Johann Strauss I and his son Johann Strauss II; a couple of well-known ones were composed by Bedřich Smetana, and Jaromír Vejvoda, the author of "Škoda lásky" («Roll Out the Barrel»).
(From Wikipedia, the free encyclopedia)
Polka is a type of dance, and also a genre of dance music. It originated in the middle of the 19th century in Bohemia, and is still a common genre of Czech, Polish and Slovenian folk music; it is common both in Europe and in the Americas. In classical music, many polkas were composed by both Johann Strauss I and his son Johann Strauss II; a couple of well-known ones were composed by Bedřich Smetana and Jaromír Vejvoda, the author of Škoda lásky («Roll Out the Barrel»).
The name comes from German word Polka, meaning «Bohemian Dance» which comes from the Czech word polka, also meaning «Bohemian dance», which itself is lent from the Polish polka, literally meaning «Polish woman», fem. of Polak. The word may also be an German-originating alteration of Czech pulka, meaning «half.» Due to its name it is often mistakenly attributed to Poland. It should also not be confused with the polska, a Swedish 3/4-beat (help·info) dance with Polish roots; cf. polka-mazurka. A related dance is the redowa. Polkas have a 4/4 time signature.
Some famous polkas are:
Anna Polka
Rosamunde
Bayerisch Kraut Polka
Beer Barrel Polka
Helena Polka
La Trittera Polka
Polka Romagnola
La Motozappa Polka
'Skoda Lasky'
Bayrische and Böhmische polka are famous in south Germany and Tsjechoslowakia.
Balkan dance volksmusik oberkrainer
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