Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar

Опубликовано: 28 мая 2015 г.Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar
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‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
*Contact us: info@siccasguitars.com
►Guitar: https://www.siccasguitars.com/shop/gu...

Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers.

We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already

You can find our show room in 76137 Karlsruhe, Roonstr. 31, Germany

‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾

Jim Redgate is a highly sought-after Australian luthier, known for his guitars built for artists such as Ana Vidovic, Pepe Roméro and Odair Assad. This lattice-braced model is an exact copy of the guitar that Ana Vidovic plays. Jim Redgate’s instruments have their own sound and touch. The breath-taking volume combined with rich harmonics and impressive clarity of sound are quite unique. The playability is fantastic, and the guitars are relatively light in weight compared to the Australian standard.
We’ve of course heard Ana Vidovic in concert many times playing on a Redgate guitar, but this guitar convinced us even more of the quality of Jim’s work. The honesty and spontaneity of each note, the magnificent volume, the ease of playing, and the unique sound character of this guitar make it an instrument not only rare in Europe, but above all extremely enchanting.
Luthier: Jim Redgate

Construction year: 2019
Top: Cedar/Lattice
Back and sides: Bolivian rosewood
Scale: 650 mm
Nut: 52 mm
Weight: 1633 grams
Air resonance frequency: G
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾

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Tárrega: Gran jota (Arr. Romero)

Опубликовано: 30 нояб. 2018 г.Provided to YouTube by Universal Music Group

Tárrega: Gran jota (Arr. Romero) · Pepe Romero

Noches de España — Romantic Guitar Classics

℗ 1994 Universal International Music B.V.

Released on: 1994-10-07

Producer: Wilhelm Hellweg
Composer: Francisco Tárrega

Auto-generated by YouTube.

W. A. Mozart — Rondo alla Turca (Turkish March), solo classical guitar

Опубликовано: 14 февр. 2012 г.In Mozart's time, the Ottoman Empire still ruled Turkey. Their military bands, called Janissary bands, were quite popular, even in Europe. Mozart borrowed from their sound and rhythm to produce this work, which became one of the big hits of Mozart's day. Its popularity has rarely waned since then. The final movement of the sonata, Rondo Alla Turca, captures the military bands' brassy sound. In its whirling feel, it can evoke another aspect of Turkish culture which has captivated Westerners--the whirling motion of the Sufi dervishes as they perform their ancient ritual of peace and wholeness, though the Rondo whirls at light speed, in contrast to the gentle movement of the Mevlevi.

Arranged and performed by Emre Sabuncuoglu. Copyright © 2012 Los Angeles Guitar Academy Publishing. All rights reserved.

Zorba el griego

Опубликовано: 19 янв. 2009 г.Guitarra: Cacho Tirao
Programa de Televisión «La Guitarra y sus Intérpretes» Dir. Cesar Amaro, quien es el dueño de los derechos de este video

Bach: Toccata and Fugue, BWV 565 — Tariq Harb, guitar

Опубликовано: 22 дек. 2019 г.Guitarist Tariq Harb performs J.S. Bach's monumental Toccata and Fugue, BWV 565. This is an adaptation for solo guitar by Edson Lopes.

The Toccata and Fugue in D Minor, BWV 565, is a musical composition in two parts for organ, written sometime between 1708 and 1750 by Johann Sebastian Bach, and known for its majestic sound, dramatic authority, and driving rhythm. The piece is perhaps most widely known due to its appearance in the opening minutes of the 1940 Disney cult classic Fantasia, in which it was adapted for orchestra by the conductor Leopold Stokowski. It also has a strong association in Western culture with horror films; it was included in films such as Dr. Jekyll and Mr. Hyde (1931), The Black Cat (1934) and The Phantom of the Opera (1962).

The first part of Bach’s piece is a toccata, the name of which is derived from the Italian toccare, “to touch.” It represents a musical form for keyboard instruments that is designed to reveal the virtuosity of the performer’s touch. Bach’s take on the toccata is typical in that it has many fast arpeggios and runs up and down the keyboard but otherwise is generally free form and gives the composer much latitude for personal expression. In Bach’s day, toccatas often served as introductions to and foils for fugues, setting the stage for the complex and intricate composition to follow.

The fugue — a technique characterized by the overlapping repetition of a principal theme in different melodic lines (counterpoint) — that is the second part of Bach’s composition reflects the particular popularity of the form during the late 1600s and early 1700s. Bach made much use of the fugue in his compositions, most famously in solo organ pieces such as this one but also in instrumental works and choral cantatas. This particular fugue is quite unusual in its form; it is a plagal fugue using plagal cadences as opposed to the authentic cadences that Bach usually employs. It also does not introduce the subject in all the voices one after the other in the beginning of the fugue. Instead, Bach slips in sequences in between the announcements of the subjects which is again quite unusual for a Baroque fugue. The fugue, with its accompanying toccata, is not only the best known of Bach’s many fugues but the most famous of fugues by any composer.

Performance: Tariq Harb
Transcription: Edson Lopes
Guitar: Douglass Scott, 2018
Strings: Savarez basses and Augustine Regel trebels
Audio and video: Drew Henderson
Location of recording: Toronto, Ontario, Canada

http://www.tariqharb.com
http://www.facebook.com/tariqharb
http://www.instagram.com/tariqharbmusic
Tariq Harb teaches at Concordia University in Montreal, Canada: https://www.concordia.ca/faculty/tari...

Ana Vidovic plays Recuerdos de la Alhambra by Francisco Tárrega on a Jim Redgate classical guitar

Опубликовано: 26 июн. 2015 г.Ana Vidovic plays Recuerdos de la Alhambra by Francisco Tárrega on a Jim Redgate classical guitar

Join our online communities:
* Instagram: https://www.instagram.com/siccasguitars/
* Facebook: https://www.facebook.com/siccasguitars/
*Twitter: https://twitter.com/siccasguitars

Don't forget to like, comment, share and subscribe to the channel here:
https://bit.ly/2GpnuuE

Want to hear more classical guitar music? Check out this playlist made for you:
https://bit.ly/32NTlyB
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾

Ana Vidovic plays Asturias by Isaac Albéniz on a Jim Redgate classical guitar Visit us: http://www.siccasguitars.com
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► Website: https://www.siccasguitars.com
► Twitter: https://twitter.com/siccasguitars
► Facebook: https://www.facebook.com/siccasguitars/
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
►Contact us: info@siccasguitars.com

Don't forget to like, comment, share and subscribe the channel

‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾
►Guitar: https://www.siccasguitars.com/shop/gu...

Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers.

We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already

You can find our show room in 76137 Karlsruhe, Roonstr. 31, Germany

‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾

Jim Redgate is a highly sought-after Australian luthier, known for his guitars built for artists such as Ana Vidovic, Pepe Roméro and Odair Assad. This lattice-braced model is an exact copy of the guitar that Ana Vidovic plays. Jim Redgate’s instruments have their own sound and touch. The breath-taking volume combined with rich harmonics and impressive clarity of sound are quite unique. The playability is fantastic, and the guitars are relatively light in weight compared to the Australian standard.

We’ve of course heard Ana Vidovic in concert many times playing on a Redgate guitar, but this guitar convinced us even more of the quality of Jim’s work. The honesty and spontaneity of each note, the magnificent volume, the ease of playing, and the unique sound character of this guitar make it an instrument not only rare in Europe, but above all extremely enchanting.


Luthier: Jim Redgate
Construction year: 2019
Top: Cedar/Lattice
Back and sides: Bolivian rosewood
Scale: 650 mm
Nut: 52 mm
Weight: 1633 grams
Air resonance frequency: G
‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾

#SiccasGuitars

Francisco Tárrega — Las dos Hermanas — Vals

Опубликовано: 17 сент. 2011 г.Francisco de Asís Tárrega y Eixea (21 November 1852 — 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period.

Guitar: David Russell

Tico Tico no Fubá — Duo Siqueira Lima — 4 Hands

Опубликовано: 20 дек. 2016 г.Produced by GuitarCoop
Interviewer — Paulo Martelli
Images | Editing: Eduardo Sardinha
Sound Engineering: Ricardo Marui
Sound Assistant: Henrique Caldas
Musical Producer: Thiago Abdalla
Production Assistants: Lilah Kuhn | Maria Cajas
Translator: David G. Molina
Location: Unibes Cultural — São Paulo — SP
Date: June/2016

The Art of Duo Siqueira Lima
www.guitarcooop.com.br/duosiqueiralima

GuitarCoop
www.guitarcooop.com.br

Autumn Leaves — Yenne Lee plays 2004 Pepe Romero Jr.

Опубликовано: 12 июл. 2017 г.Download a FREE pdf of Capricho Árabe arranged by Agustín Barrios here! https://tinyurl.com/y5cm7byv

Guitar: 2004 Pepe Romero Jr. (http://tinyurl.com/yakh7kab)

Here's Yenne Lee with her arrangement of the Joseph Kosma standard Autumn Leaves. She's playing a great 2004 Pepe Romero Jr. classical guitar in cedar and maple. Recorded at the Guitar Salon International showroom in Santa Monica, CA.

Huge thanks to the folks at Apogee Electronics (ApogeeDigital.com) for the use of their Ensemble interface in these recordings.

http://www.guitarsalon.com/

All proceeds from monetization of this video goes to the GSI Foundation, a non-profit organization that raises money to support music education in public schools. Visit our site for more information: https://gsifoundation.org

#gsi #friendsofgsi #classicalguitar

Clair de lune — Debussy (guitare)

Опубликовано: 3 окт. 2016 г.Clair de lune de Claude Debussy, arrangement pour la guitare de James Bishop-Edwards
Interprété par Roxane, Paris 2016.
The score is available on James'website https://www.jamesbishopedwardsguitar....