Опубликовано: 7 окт. 2016 г.Yo les amis! Jean Dujardin nous a proposé de faire un son pour la bo de Brice de Nice 3 alors on a dit oui! Petit son cadeau en attendant le deuxieme album...
On était fan de brice de nice quand on était petit et toujours fan aujourd'hui c'est donc un rêve qu'on a réalisé, rien n'est impossible !
Опубликовано: 20 нояб. 2018 г.«2ème extrait de notre nouvel album: „“La Vie De Rêve»".
Pour être sûr de l’avoir, précommandez notre nouvel album dès maintenant
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W. A. Mozart — Rondo alla Turca (Turkish March), solo classical guitar
Опубликовано: 14 февр. 2012 г.In Mozart's time, the Ottoman Empire still ruled Turkey. Their military bands, called Janissary bands, were quite popular, even in Europe. Mozart borrowed from their sound and rhythm to produce this work, which became one of the big hits of Mozart's day. Its popularity has rarely waned since then. The final movement of the sonata, Rondo Alla Turca, captures the military bands' brassy sound. In its whirling feel, it can evoke another aspect of Turkish culture which has captivated Westerners--the whirling motion of the Sufi dervishes as they perform their ancient ritual of peace and wholeness, though the Rondo whirls at light speed, in contrast to the gentle movement of the Mevlevi.
Опубликовано: 5 мар. 2015 г.Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was a Spanish composer and classical guitarist of the Romantic period.
Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, the child would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was «Quiquet».
As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to Castellón de la Plana to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind.